Painting Portrait Tips / Lots of information about how to paint a portrait
Portrait commissions of children have their special challenges. With each assignment, the model is new to me. Therefore an extensive acquaintance is essential. It is important to get to know each other. This applies to adults, but even more to portraits of children. They might see me as an intruder, a strange guy with a camera. Continue reading “Portrait commissions of children”
Of course, like every child, I was asked sometimes “what do you want to be when you grow up”? Did I ask myself the question: Me as a portrait painter?
But what is a portrait painter? the English Dictionary says: an artist who paints portraits
Drawing as a little child?
Sometimes I visit websites from other portrait artists and read the information they give about themselves. Often like: “I was already drawing as a little child, or I was born with brushes in my hand”. That annoys me and I do not know exactly why. Is it that difficult to write something more original?
Despite of the fact that I often do portrait painting from photography, I really must emphasize again, that portrait painting from observation is important. Study as much as you can from a life model sitting in front of you.
Training your drawing skills is fundamental. Accompanying a study I made last Tuesday night. I used Terra Rosa (Winsor & Newton) mixed with a little bit of Burnt Umber (Rembrandt Talens.)
This post is about brushes for oil painting technique. As you may have noticed, recently I was able to dedicate more attention to landscape painting. It took a long time; I was too busy with my portrait commissions. The surroundings of the town of Chelva, where we live, are beautiful and very picturesque. There are countless places asking to be painted. And that is what I do. Continue reading “Oil painting technique.”
Portrait painting is not easy in the beginning. I know these beginners mistakes very well. There are many pitfalls, which you must overcome in the learning process. But where to start? Continue reading “10 beginners mistakes in portrait painting.”
I must confess I sometimes used sweet lies in portrait painting. Most people have no experience of posing for a portrait. In a commissioned portrait, it is important that the model shows off his best side. He or she should give me something that I can give back in the painting. Usually I am able to get a satisfactory photograph of the person. (As you know, for commissioned portraits I use photographic sources.) Continue reading “Sweet lies in portrait painting.”
Sometimes I wonder why I want to paint a good portrait. Where does that fervour come from? What about my portrait painting and inspiration. I’ve never been able to answer that question. And it should stay like that, I guess. That everlasting urge, that gruelling passion; I have learned to live with it. It was not always an easy road. More than once, I was jealous of people without any ambition. Continue reading “Portrait painting and inspiration.”
Last week I told you about the female nude commissions. And, I wrote that only during the photo session does it become clear how the model will be depicted. This post is again about Improvising and portrait painting. Continue reading “Improvising and portrait painting”
After twenty-five years of commissioned portraits there are many anecdotes I can tell. I have had some peculiar portrait commissions.
I have met a lot of people. Occasionally there was something special about a job, like the two times I got an enquiry for a female nude painting. In the first one, the client was the model´s husband; the client making the other request was the model herself. She wanted to give the portrait as a present to her husband on the day of the wedding. Continue reading “Peculiar portrait commissions.”
Last week I wrote about the importance of squinting and of stepping back. I also said that most students know this already, but few really do it. Yet it is essential that you keep distance from your canvas, especially in portrait painting. Continue reading “Portrait painting: keep distance.”