Portrait painting and likeness?

Portrait painting and likeness, a challenge and a source of trouble.

A good portrait must fulfill the two basic requirements: perfect likeness and good artistic characteristics. It seems that sometimes the two are at odds. I know I was more prudent in my approach with commissioned portraits than non-commissioned artwork. The more I progressed during the years the more I was able to grasp at these things. But still sometimes it is difficult. Continue reading “Portrait painting and likeness?”

Portrait in watercolour

Karen. Watercolour portrait by Ben Lustenhouwer

A technique with many secrets.

Once in a while, I am asked why I don´t teach how to paint a portrait in watercolour.

Let me first start with a quote by Charles Reid in if famous book “Portrait painting in watercolor”

“For me, watercolor is a spontaneous and suggestive medium, and I find using it an exiting adventure. I´ve heard several “myths“ about painting with watercolor, and I disagree with them all. For example, I´ve heard it said that you can´t make any corrections or changes with this medium.”

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Commissioned portraits from photography

Commissioned portraits from photography.

To speak with Richard Schmid in his fantastic book “Alla Prima ll” and I repeat his words when it comes to commissioned portraits from photography.

Photos are often the only way we can have access to certain subjects.

Imagine: All my customers live throughout Europe. It is impossible to travel with my all painting stuff around my neck to the sitters home. Staying there for a couple of days and do the job there. Apart from the fact that clients certainly do not have the time to pose for several days. And then I’m not even talking about additional problems with portraying small children.

So there is no argument against portrait painting from photography. I say it once again loudly and clearly. And for the umpteenth time, of course, it is essential to study from observation. That is the basis of your artistic skills. But one does not exclude the other. Certainly not if it is about a commissioned portrait. The invention of photography is thus a blessing for us, portrait painters. I know this world from within and know what I’m talking about. Almost all of my colleagues use photographic reference, but many talk mysteriously about it.

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