Carpentry for portrait painting. As I get the opportunity I love to do craftwork, preferably in wood. I always wanted to be a carpenter, I have written about this before. And I’ll confess something else to you. For a long time, carpentry gave me more pleasure than painting. Believe me. Continue reading “Carpentry for portrait painting”
Portrait commissions from the old days
Looking back on some of my portrait commissions from the old days, I sometimes do with trepidation and mixed feelings. More than once it just happens that I´am no longer completely satisfied. These works I will not show you of course, haha! But occasionally I see something and I think: Not that bad.
Portrait painting lessons (10) after treatment
Protection of an oil painting.
When the portrait is dry to the touch, it is advisable to apply a coat of retouch varnish. For two reasons.
- To protect the painting.
- To enhance its fresh appearance.
Continue reading “Portrait painting lessons (10) after treatment”
Detailed or blurry
Portrait painting from photography has pros and cons. One of the major drawbacks is the inclination to copy all the details. Detailed or blurry?Apparently every wrinkle, eyelash and hair lock must be displayed faithfully. But a good portrait is not a sum of all observable details. I have said it last week: It’s not about whether it just seems real, the point is that it is true and authentic.
In his book Alla Prima ll Richard Schmid says:” In my view, detail for its own sake is a shallow goal, because I don´t think art is about how much stuff I can depict” Continue reading “Detailed or blurry”