Portrait painting from life, underpainting

In this short portrait portrait painting from life, underpainting, demonstration video I only use raw umber.

If you have the opportunity to paint from observation you should do so as much as possible.

To begin with, I give the entire canvas a very thin wash of raw umber with standard painting medium.

Then, using a flat synthetic brush I put down the first contours. I determine where the eyes, nose and mouth are.

I use a light source above to cast strong shadows under the nose and mouth which are clear markers. They enable me to get a grip on the whole shape. I say this to make it clear that shadows are indispensable. Front lighting is more difficult. It causes unnecessary problems because all the useful shadows disappear. (The same thing happens with flash photography.)After I have roughly marked down the main structure of the face I can elaborate by adding details. To create areas of light I wipe off wet paint with a cotton swab.

The whole session lasted one hour with two very short breaks.

See also this post 

another related post

 

3 Replies to “Portrait painting from life, underpainting”

  1. Hola Ben,
    Did you do this portrait in oil or acrylic?, also did you use turpentine to thin the paint?.

    Kind regards,

    Sam

Comments are closed.