Portrait painting lessons (3) about brushes

Sometimes I see students paint with miserable brushes because of slackness or just stinginess. A Very Bad Habit!
good and bad brushes

In my studio I have a brushes’ grave yard.

– Why not throw them all away?

– I can´t do that. They have served me faithfully.

– But they are far from being worn!

– No, but they are not good enough anymore.

Actually I should not think of a cemetery, let me call it a brushes retirement home. Sometimes I take some brushes out of that stock and I try them again, but I have to conclude that they are turned down for some reason.

What standards must a good brush meet?

  1. It must accurately lead paint on the canvas where the artist wants it.
  2. It must be able to bring sufficient paint onto the canvas.
  3. It should be shapeable, a paint brush must be able to cut like a knife.
  4. It must not scrape off paint.

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Portraits of Children

Portraits of Children

This week I was asked in an interview, whether I prefer to do portraits of men, women or children. I replied that I rather like to portray older people. The more wrinkles, the better. A young woman is often difficult to do because you can easily mess up a flawless face with some bad brushstrokes. Teenagers can become upset by how old or young they may appear. Middle aged people sometimes can be boring.

portrait of a child

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There ain´t no cure for drawing

There ain´t no cure for drawing

There ain´t no cure for drawing, making doodles every lost moment.  Thoughtlessly drawing, that is what doodles sketches is about.

There ain´t no cure for drawing. drawing portraits
Long-call telephone doodle

If there is no pencil and paper near the phone, I cannot have a long conversation. I know: Drawing is a disease.

“I draw like other people bite their nails” (Pablo Picasso)

Above one of my long-call telephone doodles.

 

More quotes on drawing: