Today, May 18, I launch my newest video tutorial. How to paint a portrait in watercolour. Continue reading “How to paint a portrait in watercolour”
How to paint a portrait in watercolour
Art trip to China
Our Art trip to China. Perhaps you have noticed it but I have been away for a while. We were on a cultural/historical/art journey to China. For me it was the first encounter with this fascinating country. Continue reading “Art trip to China”
Thoughts on preparing the palette
Some thoughts on preparing the palette.
Never skimp on the good stuff. Cheap materials make cheap artwork! I’ll give you a few some thoughts on preparing the palette.
Put enough paint on your palette without retrenchment. Especially the colours you will use often, such as white, yellow ocher, cadmium red and burnt sienna. I often see students adding medium hoping to obtain more amount of paint. Always use the same order. The sequence you determine yourself, for example the darks left, white in the middle, and the lights on the right, or from dark to light with white left. Or the yellows and reds at the right and the blues and greens at the left side. It does not really matter as long as you always keep a fixed order. You must find your way blindly. (keep your kitchen organized!) Continue reading “Thoughts on preparing the palette”
Portrait painting lessons (5) flesh colours
In portrait painting it is all about putting the right colour on the right place.
As simple as that. And I’ve spent my entire artistic career with the question “What is the right colour and where is the right place?”
Major problems should be divided into smaller ones. Also in portrait painting. Like the composition, the drawing, the colour contrast, the ciaroscuro, the likeness. All these topics should be solved individually. So I was convinced of the importance of coming up with a reliable approach to portrait painting. Each artist has his own method, either self invented or handed by teachers. As a painter I am selfmade. Over the years I gathered information from wherever I could. I found my way of working, allthough I keep changing now and then. Here I like to share my experiences. Continue reading “Portrait painting lessons (5) flesh colours”
Portrait painting and likeness?
Portrait painting and likeness, a challenge and a source of trouble.
A good portrait must fulfill the two basic requirements: perfect likeness and good artistic characteristics. It seems that sometimes the two are at odds. I know I was more prudent in my approach with commissioned portraits than non-commissioned artwork. The more I progressed during the years the more I was able to grasp at these things. But still sometimes it is difficult. Continue reading “Portrait painting and likeness?”
Portrait in watercolour
A technique with many secrets.
Once in a while, I am asked why I don´t teach how to paint a portrait in watercolour.
Let me first start with a quote by Charles Reid in if famous book “Portrait painting in watercolor”
“For me, watercolor is a spontaneous and suggestive medium, and I find using it an exiting adventure. I´ve heard several “myths“ about painting with watercolor, and I disagree with them all. For example, I´ve heard it said that you can´t make any corrections or changes with this medium.”
Commissioned portraits from photography
To speak with Richard Schmid in his fantastic book “Alla Prima ll” and I repeat his words when it comes to commissioned portraits from photography.
Photos are often the only way we can have access to certain subjects.
Imagine: All my customers live throughout Europe. It is impossible to travel with my all painting stuff around my neck to the sitters home. Staying there for a couple of days and do the job there. Apart from the fact that clients certainly do not have the time to pose for several days. And then I’m not even talking about additional problems with portraying small children.
So there is no argument against portrait painting from photography. I say it once again loudly and clearly. And for the umpteenth time, of course, it is essential to study from observation. That is the basis of your artistic skills. But one does not exclude the other. Certainly not if it is about a commissioned portrait. The invention of photography is thus a blessing for us, portrait painters. I know this world from within and know what I’m talking about. Almost all of my colleagues use photographic reference, but many talk mysteriously about it.
A lifetime drawing
A lifetime drawing. That applies in any case to me. And portraits have always been the utmost challenge. Continue reading “A lifetime drawing”
Portrait of singer-songwriter Scott Mannion
May I introduce to you my friend Scott Mannion?
Singer-songwriter Scott Mannion from New Zealand, settled down years ago in Chelva. Last Friday he unveiled his latest clip for “Your Kinda Love”. A memorable event. In the past Scott has been sitting for us twice on our Tuesday night live portrait sessions. Continue reading “Portrait of singer-songwriter Scott Mannion”
Details in portrait painting
Beginning painters often put in too many details in portrait painting and make them too sharp. For example: Cutting edges around the eyes, hard red lips, pointed corners of the mouth etc. etc. Why? One of the pitfalls is associated with working from photography.