Progress of the self-portrait

self portrait
On the right the finished version

Three weeks ago I showed you the progress of the self-portrait. I said that in the end I was not entirely convinced by the result. Many people left a comment and a few had suggestions for adjustments. I also was asked to show the final result. Here is the outcome as it will be shipped to London next week. I actually have not done much but for me it changed substantially. The rub was in the background. My aim is always to match the subject and background in order to let them take part in one and the same atmosphere, in a believable way. In the first version there was too much blue and that was the reason there was no “palpable air” provided. What did I do in the background? With a broad brush I applied a layer of Raw sienna, extremely diluted with W & N Oil Liquin. In order to distribute it evenly I rubbed it with a cloth. Now temperature has changed and it looks better.

I also “calmed down” some brushstrokes on the left of my face, and I added a few accents in the lights and the darks.

Self-portrait, the magic is gone?

selfportrait 3x

Do not think I know it all. Like others, I have doubts sometimes. This week I’m working on a self-portrait for an exhibition in the gallery in London. I showed two images of the progress on Facebook and have never had so many likes.

Progress of the self- portrait
Progress of the self- portrait

A painting that is half finished is something magical. It has the excitement of the promise and the attractive dynamics of abstraction. Once finished, sometimes it does not quite accord to my high expectations. From experience I know this phenomenon, however, it takes me by surprise. So as now with this painting, it is completed but not finished. How do I proceed? The big question for this week. See also the finished version here.