Portrait painting lessons (3) about brushes

Sometimes I see students paint with miserable brushes because of slackness or just stinginess. A Very Bad Habit!
good and bad brushes

In my studio I have a brushes’ grave yard.

– Why not throw them all away?

– I can´t do that. They have served me faithfully.

– But they are far from being worn!

– No, but they are not good enough anymore.

Actually I should not think of a cemetery, let me call it a brushes retirement home. Sometimes I take some brushes out of that stock and I try them again, but I have to conclude that they are turned down for some reason.

What standards must a good brush meet?

  1. It must accurately lead paint on the canvas where the artist wants it.
  2. It must be able to bring sufficient paint onto the canvas.
  3. It should be shapeable, a paint brush must be able to cut like a knife.
  4. It must not scrape off paint.

Continue reading “Portrait painting lessons (3) about brushes”

Fresh air in a portrait

fresh air in a portrait

fresh air in a portrait

By means of this image I want to explain something that I do often.

In this portrait the light source comes from the top left. Consequently the shadow on the face is on the right side, on the chin. Sometimes it works well to have a high contrast in the values between the cast shadow and the background. That means I make this part of the background a lot lighter than the rest of the area.

When teaching I explain it this way: It’s possible to give a portrait some fresh air.

There ain´t no cure for drawing

There ain´t no cure for drawing

There ain´t no cure for drawing, making doodles every lost moment.  Thoughtlessly drawing, that is what doodles sketches is about.

There ain´t no cure for drawing. drawing portraits
Long-call telephone doodle

If there is no pencil and paper near the phone, I cannot have a long conversation. I know: Drawing is a disease.

“I draw like other people bite their nails” (Pablo Picasso)

Above one of my long-call telephone doodles.

 

More quotes on drawing: 

 

Troubleshooting: the likeness (3)

Troubleshooting- the likeness

3 Check the portrait at twilight.

People always think that the lighting in a painters studio should be abundant. However in some cases, the opposite is true. A few times scarce lighting is very welcome. When I want to check an almost finished portrait I switch off  the lights in my studio to see the portrait at semidarkness. Then I notice other differences in hues and values than I’d seen in full lighting.

Studio with full illumination
Studio with full illumination.
Studio at semidarkness
Studio at semidarkness.

See also this article on studio lighting.