Art flows to where the money is

Art flows to where the money is

More than once people asked how a novice portraitist must decide his prices. I remember I once said: If you don’t have any orders you are either  too expensive, or you have too little quality.  If you have too many commissions, it may be that you are too cheap.

Art flows to where the money is. Portrait of Jan Six by Rembrandt
Portrait of Jan Six by Rembrandt

An interesting book that I am currently reading is “The lives of Jan Six”, written by the Dutch historian Geert Mak. I do not know if there is an English translation. Continue reading “Art flows to where the money is”

Official-portraits

Official-portraits

‘What subject do you prefer?’  A frequent question.   Actually I don´t know what to answer. Do I prefer official-portraits? Each portrait is fun to do whether it is a small child or an old lady, a professor or a lawyer. It is true that some faces are more attractive than others. A commissioned portrait never leaves me a choice and it is always exciting to see what model will appear. The same goes for official portraits. Continue reading “Official-portraits”

Detailed or blurry

Detailed or blurry

Detailed or blurry
Portrait painting from photography has pros and cons. One of the major drawbacks is the inclination to copy all the details. Detailed or blurry?Apparently every wrinkle, eyelash and hair lock must be displayed faithfully. But a good portrait is not a sum of all observable details. I have said it last week: It’s not about whether it just seems real, the point is that it is true and authentic.

In his book Alla Prima ll Richard Schmid says:” In my view, detail for its own sake is a shallow goal, because I don´t think art is about how much stuff I can depict” Continue reading “Detailed or blurry”

oil paint and medium

 

https://youtu.be/jHF8Hf_HhgE

Use of paint

This is about oil paint and medium. But a general word about oil paint. Paint with paint; you can not paint without paint! I see students using far too little paint. Listen to me me: this is often simply out of fear. Not because of artistic viewpoints. Overcome that fear.

The problem starts at the palette. If there is too little paint there, how on earth do you get enough on your canvas? Running out of paint often occurs at the end of a painting-session. I see there is a tendency to thin the amount of paint on the palette with medium in order to gain some volume, instead of re-adding paint from the tube. ERROR!

So, do not be stingy with paint. You really need paint to obtain a painterly effect. Continue reading “oil paint and medium”

Portrait painting and filming

making a video tutorial
Editing the long tutorial video

It happens to everyone once and a while: the loss of documents in the computer. Five years ago I almost finished the editing of my third long video demonstration. By bad luck, I lost all the work. I was defeated and angry at myself for disconnecting the hard drive from my computer without the necessary precautions. Months and months of work lost! A negligence which I had to atone a longtime. Eventually the footage could be retrieved by a specialist company in Madrid, but the editing had gone forever. I am taking charge of the project again. From now I will be spending all available time behind the screens. I hope to finish the project by summer. I will keep you posted.

Stills from the video
Stills from the video
Stills from the video
Stills from the video
Stills from the video
Stills from the video

Portrait painting: Pamper yourself with good stuff!

good preparations for portrait painting
priming canvas
Apply at least three layers of gesso.

Suppose you want to learn to play the piano. The instrument on which you start is old, not in tune and with missing keys. Would that invite you to sit down and study? No! It will turn your stomach! The same goes for learning to paint. Poor art supplies will not encourage you to make a good painting. Believe me, good stuff really makes a difference! Starting with the canvas. A miserable support base is a principal stumbling block, I can´t stress it enough.

  • Whatever you buy, even the best double primed Belgian Linen, apply at least three layers of gesso in order to reduce the suction of the oils.
  • Use good brushes if you can afford it.
  • Buy good quality paint. Some brands of student quality is reasonable, but there is also a lot of crap on the market. Oil painting technique in itself is hard enough so do not let poor materials makes you stop before you even get started. (see also here)

Good stuff makes you happy!