In the village where we live almost everyone has an olive grove. Or more than one. Small or large plots of land which have been family-owned for generations. The harvest is mainly destined for the production of olive oil. These weeks are picking time and the village is buzzing with activity. Whole families go out to their olives with sticks and nets, boxes and carts. And walking across the market, or queuing up in the bank you can hear always someone say ”Have you done all your olives yet?” Continue reading “Olive picking in Chelva”
Portrait painting and imagination
This week my friend Julian Despaigne came to visit me with a group of children from the village. Every year he organizes a kind of summer school, now children are on holiday. They do amazing things. Visits to the village monuments where he explains and tells stories from the history, treasure hunting through the streets and much more. Last week they visited the village blacksmith, and now they have paid me a visit in my studio. I told them something about portrait painting and mixing paint. In a five-minute demo I made a watercolour of the portrait of Julian. The children were spellbound.
It reminded me of a beautiful story that the famous graphic designer and illustrator Milton Glaser told in an interview with his friend and fellow artist James McMullan.
“There was a very specific moment when I was about four or five years old. My cousin came in with a paper bag and said, ” You want to see a pigeon?” I thought he had one in the bag, but he didn´t. Right before my eyes, he just drew it on the paper bag. At that moment the idea of inventing an image – it was the first time it had ever occurred to me that you could invent something and give it life – became clear. That was the moment of decision for me, and I never deviated from that. The only thing I ever wanted to do was something involved with making images.”
I myself as a child had a similar experience that made me decide that I would become an artist. (I will talk about that occurrence next week). If the children who visited me will go into art I do not know. Perhaps, who knows…
By the way, Julian is an amazing guy! Don´t forget to visit his website.
Why I love impressionism?
I’m not a psychologist. I feel things and I think things in my simple way, and for convenience I assume that in this respect I am representative of a part of humanity. I asked myself: Why do I, and many others, love impressionist art?
Look closely at this picture and realize that, when you can see the two images separately you feel a kind of pleasure. At least I do. It’s similar when I find the solution to a cryptogram or a word puzzle. Recently I read this in an article about perception: “Studies have shown that when people struggle to find familiar shapes and are successful, they rate the work as “powerful”. Brain scans show very active neural activity as they struggle with the work. The brain sees the work as a puzzle and is pleased when it finds a solution”.
Often I have asked myself why I am indifferent to photorealism. In my opinion, part of the answer lies in the absence of the fun of the “aha” experience as described above. My common sense says: Everything is already to be seen and there is no challenge whatever for my brains. Therefore I suppose, I sometimes find photorealism boring.
Cheap mother wit? I don’t know, I am not a psychologist.
Preparing Basil Pesto
Our kitchen garden now produces huge amounts of basil. I am preparing a little jar of pesto for good friends here in the village, where we are invited for dinner tomorrow.
Hereby my recipe.
- Basil. As much as your garden produces.
- Garlic. As much as you dare.
- Olive oil. As much as you find delicious.
- Salt. As much as you can tolerate.
- Parmesan cheese. As much as you can afford.
- Pine nuts. As much as you have. I had nothing and it was too hot to go to the grocery.
- Mix everything in a blender and you’re done.
Country life
I have often shown you our vegetable garden and cannot resist doing so again. As much as possible, we grow our own vegetables. In the warm Spanish climate we can plant and harvest all year long. At this moment onions are ready for drying. Potatoes are stored inside and heads of garlic are strung up. Soon we will gather the tomatoes, carrots, kohlrabi, fennel and the beans. And in winter, of course, oranges. It is a luxury to grow everything you wish for your dinner table in your own garden. We really enjoy the country life!
Talking about perfection
In the interview two weeks ago I talked about the juggler who reaches his goal by really wanting to. Yesterday, on Dutch TV, I saw this amazing artist. Excellence on top of perfection. I can´t stop watching this. Probably the most impressive coordination the world has ever seen. Chris Bliss juggling masterpiece on Golden Slumber by The Beatles.
Progress of the self-portrait
Three weeks ago I showed you the progress of the self-portrait. I said that in the end I was not entirely convinced by the result. Many people left a comment and a few had suggestions for adjustments. I also was asked to show the final result. Here is the outcome as it will be shipped to London next week. I actually have not done much but for me it changed substantially. The rub was in the background. My aim is always to match the subject and background in order to let them take part in one and the same atmosphere, in a believable way. In the first version there was too much blue and that was the reason there was no “palpable air” provided. What did I do in the background? With a broad brush I applied a layer of Raw sienna, extremely diluted with W & N Oil Liquin. In order to distribute it evenly I rubbed it with a cloth. Now temperature has changed and it looks better.
I also “calmed down” some brushstrokes on the left of my face, and I added a few accents in the lights and the darks.
Self-portrait, the magic is gone?
Do not think I know it all. Like others, I have doubts sometimes. This week I’m working on a self-portrait for an exhibition in the gallery in London. I showed two images of the progress on Facebook and have never had so many likes.
A painting that is half finished is something magical. It has the excitement of the promise and the attractive dynamics of abstraction. Once finished, sometimes it does not quite accord to my high expectations. From experience I know this phenomenon, however, it takes me by surprise. So as now with this painting, it is completed but not finished. How do I proceed? The big question for this week. See also the finished version here.
Excursion to the Spanish Civil War
One of the first people I met in Spain was Sento Llobell a fellow worker in art. Over the years he and his wife have become very good friends of ours. Sento is a famous cartoonist, he has published quite a few albums of his own work. He received international recognition for the graphic novel “Un Médico Novato” for which he won the Premio Internacional VI Fnac Sins Entido. The story is based on a true narrative of Sento’s father in law Pablo Uriel, who was starting his career as a doctor during the civil war (1936-1939). Under his own auspices Sento has published the second part of this history “Atrapado en Belchite” and yesterday the book was launched in Belchite, a town in Zaragoza where in 1937 a bloody battle took place between the republicans and the army of the future dictator Francisco Franco. For propaganda reasons Franco never rebuilt the place and to this day it is a gruesome reminder of the Spanish Civil War. Part of Sento´s story takes place in this city during that combat and hence he chose this place to present the book.
Introducing my wife
I have not often told you about Helma, my wife. She is a sculptress. In the past she has made some commissions of large dimensions.
The picture shows a sculpture from 1986, located in the city of Utrecht, Holland. It’s titled First Step. The contrast between her work and my portrait painting is that of abstract versus figurative, that is clear. About this opposition Salvador Dali says:¨It is either easy or impossible”; it has never been an obstacle between us. Her work has broadened my view. I am always fascinated how she responds to an event or a memory by making a piece of art without the need to create an image of the real world. Check out her website: www.helmavanrens.com