Painting children

Once and a while small children are anxious to pose during a photo session. I remember a time when I was in England for a commission of two little children. A 6-year-old boy and his little sister. The commission was of two separate portraits. I had no trouble with the boy, who did his very best. But the girl was extremely shy and she kept looking away from my camera. I tried everything but without success. Then I got an impulse to position the brother next to her on the small seat. Out of sight of the camera of course. But close enough to give confidence with his presence to the sister. That was a good move. This vicinity set her at ease, and in the end I got beautiful pictures. I can not show anything of these portraits, because of privacy reasons the parents gave no permission. Therefore, another image.

Seal

This boy was not shy at all, in fact he was quite free. He is resting with one arm on his mothers drawing table. You see, the fist is closed on the portrait, but in reality he made a gesture as if he had a gun in his hand and every time I took a picture he shot me. Bang! I only let him go and in my studio I changed the position of that hand.

Watercolour portraits

Almost all my commissions are portraits in oils. In in the past I made a few in watercolour. Here you see one of a boy. The other of my daughter that I made exactly fifteen years ago. If I had more time I would pay more attention to this fantastic technique. People often ask me to teach in this. But it still has too many secrets to me. Someday maybe?

young boy Karen

A commission to be delivered

This week I put the finishing touches to the portrait of this young lady.  A commission proceeded through my gallery in the Netherlands. For this occasion I show here also the pencil sketch. Such small, basic sketches I usually show to the client,  it is explicitly not meant to already judge the resemblance. The idea is that I like to show how I want to represent the model, and to clarify the cropping. Therefore I make this drawing in the most simple way possible. After all, I have a choice out of a variety of photos and the customer wants to know in advance how the portrait will look like. If I would make the drawing more detailed, it would distract from that intention. I am glad the client gave permission to show this portrait on my blog.

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IRIS

 

Storyboard illustrations

 

Maya-1

Some twenty years ago I was asked to make a number of storyboard illustrations for a big movie project. I can´t remember what the script was exactly about. Anyway the set was presented in the Mayan culture in the dense Central American jungle. If I ‘m not mistaken there were also all kinds of fantasy creatures involved. And actors like Antonio Banderas and Salma Hayek were sought-after.

In 1977, my wife and I made ​​a tour to visit the pyramids & ancient sites in South and Central America . From the Aztecs in Mexico to the Incas in Peru. Trough this I had sufficient own photographs of those locations and I could use them as the basis for the illustrations. If ever the movie was released, I don´t know but the watercolours are still here in a box and I found them today whilst clearing away my studio. Memories hence, not only to the time I still occasionally made ​​illustrations, but also keepsakes of our trip, where we got to know each other better.

Maya-2

maya-3

Maya-4

1961 at the barber´s.

It’s 1961. I’m less than ten years old. I need a haircut. Something that I am not really looking forward to, but… at the barber´s, in the magazine rack, there is a thick stack of Panorama´s.kurt-art-panorama

For me it can not last long enough until it is my turn. I handpick all editions whose covers are painted by Kurt Art. I can sit for hours examining in amazement. The images look like photographs but if you look closely you see that they are painted; illustrations! I have the idea that I am the only one who get that message, and in a strange way I feel that these covers are painted only for me. I am not even 10 years old…

It would be an exaggeration to say that this experience made me choose to become an illustrator or even an artist, but now, when I think back, I clearly rememberer that moment of sparkling light. A scintilla that would kindle a never-dying fire.

The Dover Coach by Norman Rockwell
The Dover Coach by Norman Rockwell

Of course by that time I never had heard of Norman Rockwell nor The Saturday Evening Post. That all came much later.

In 1987, in New York, having lunch with two fellow illustrators at the restaurant of the Society of illustrators, I was seated right under the large painting The Dover Coach of Norman Rockwell. In this restaurant you could not come in, if you were´nt invited by one of its members. I found myself inside that particular world that I began to dream of as a child, at the hairdressers in the early sixties.

A commissioned portrait

Work in progress.

In this short video I put together a few shots of the stages of the painting process.

The portrait will be delivered soon, as well as the portrait that you see behind the easel  on the wall. That is a gift to Rob Kietselaer, who is playing his beautiful compositions in some of my video´s.

Next week I return to Burgundy, France where students will be waiting for my portrait painting courses. Old and new faces again and this time very international. I will have to speak four languages interchangeably. I am looking forward to start again!

About mistakes in painting

In addition to my previous post. I can tell you about mistakes in painting because all of them I made myself. I have been there also. Here some more reflections:

Through willpower alone you don´t make a good painting. The extent of relax is fundamental. Enjoy the journey: traveling is better than arriving.

Make a painting primarily for yourself. Don´t think about what others will say. That makes you afraid of making mistakes and this fear is a handbrake on your progress!

I often think of what Ned Jacob said: I want to continue growing. It´s false security to win success.

´Amber Traffic Lights´ in painting.

oil painting palette

What are “Amber Traffic Lights” in painting?

Easily Overlooked Mistakes.

oil painting palette

For instance:

  • You know your basic drawing is bad but you think you will manage later on.
  • Your photograph is badly printed because you did not have the right paper.
  • You know your brushes are sort of worn out but you did not have time to get new ones.
  • Your canvas is badly prepared but you did not want to “spoil” more time and you wanted to start right away.
  • You are setting up a big size painting but you only will be using small brushes and a small palette.
  • You run out of a colour and you think you can increase the left amount by adding medium.
  • You are tired and should stop but you´re too cocky to quit.
  • Etc.
  • Etc.

Try to recognize these moments. In the end you will realize that losing time in preparations means gaining time in painting.

An iPad holder on my easel

My latest acquisition: an iPad holder on my easel.

Earlier this year, one of my students at the portrait painting course in France designed an iPad holder for his easel. He ordered ​his tool-maker to carry out his invention. He showed me the thing, and I was very excited. I asked him to order one for me also. Here this you see the result.  It is a fantastic tool. I can tilt my iPad in all imaginable positions.

But… unfortunately, he assured me there is no possibility to bring further into production this device. So don´t ask me…

See also: adjustments to my easel

How I save my oil paint the night over

Today I received a question on Youtube how I save the oil paint on my palette the night over. See this very short video, that is an excerpt from the tutorial “Portrait of a Little Boy”

You also can cover your paint with kitchen shrink wrap of course.